‘Look back, back, the big voices clarion, look back at the black, colossal year,’ while the rich music fanfares….(but) I can give you only a scattering of some of the crumbs of one man’s year, and the penny music whistles." —Dylan Thomas in The Crumbs of One Man’s Year
Sitting here in front of my window this warming morning, in this lull between Christmas and New Year’s Day, I see the last melting patches of snow in City Park, as I try to channel Dylan Thomas. I think I have. Though the news feeds are full of “best of’s” and “most importants” of 2017, I sit back and see, as Thomas did, a few “waltzing snippets” that stay in memory. Start with a memory, any memory will do.
I’m near Mudbiscuit, my cabin in Florissant, one June morning, walking down Ranger Station Road with Linda and her two dogs, Belle the Border Collie and Hop the Corgi, breathing the crisp, high altitude air, grateful that I can still return to this beautiful place every summer. I’m watching the dogs, sniffing the history of the night with the focus of a rookie detective. I’m distracted by Hop’s butt, long white and gold hair swaying in the wind. An icon of my country life, like the hummingbird feeders, always my first task when I arrive to open the cabin, filled with a vague anxiety that these tiny birds, having made their home in a nearby cottonwood tree, altitude 8,800 feet, will not survive if I stop providing a daily ration of sugar water. Here's Hop and Belle with their human, Linda, that morning.
Then it’s time to check the greenhouse. Linda planted early and the greens are thriving. Sunlight on the red-stemmed chard, the park choi, lettuce and peas. Back to the cabin to wash, chop, serve, eat. The day passes: I putter, read, answer email, all a blur until the sky colors change, the great magnificent sky, that surprises me every season I return after being away.
Is it any wonder that the Japanese word for nostalgia, natsukashii, has the root, natsu or summer—where memories wander first? But I have winter memories too, this winter of our resistance following the 2016 upset and deeply upsetting presidential election in the US. So many of us then were frightened, disoriented, still disbelieving.
Jump to Jan. 21, the day after the inauguration of the Divider in Chief, and I’m about to join thousands of Coloradans at the Denver Civic Center for the Women’s March. We don’t know yet that it will become the largest protest in US history, with nearly 5 million taking part around the globe. It’s early, I’m anxious, as full buses pass us at the stop near home. A neighbor gives us a lift and within the half hour we’re walking toward the 16th Street Mall. Then I see it—a steady stream of pussy-hatted women, men pushing strollers, kids, a stream of signs, and I can feel the energy and anticipation of the day. I’ll soon see many more that day. But it’s that first glimpse, as the sun appeared over the heads of those early arrivals, that brought both a thrill and sense of relief. We’re all in this together….
A season of protests reminding us of our unity across race, gender, class and generations. On Valentine’s Day, also known as V-Day--observed by the global activist movement to end gender violence--I was again on the Mall with friends and celebrants, dancers, chanters, and speakers--all pledging to work for justice. Images of red and movement and words, but the image that stays is this one of the young STEM women, remembered partly because I learned what STEM meant that day. We’re all in this together....
The year moved into spring, and I see more images of actions: The silent procession around the State Capitol on International Women’s Day, Climate Action on Earth Day, also a March for Science, notable for its creative signs and the youth of many of the participants. A march and rally in support of “our Muslim neighbors”. In my senior building here in the city, we’re writing postcards to our representatives. Having just moved in the previous October, I’m getting to know my neighbors. So much to resist and encourage. Yes, we’re all in this together….
Delicious moments—cooking being the most ephemeral art, its appreciators also its destroyers. Sitting at a long table at The Mercury Cafe with dear friends on my birthday, eating a pagan vegan plate (greens, tofu, veggie green chili, fried cornmeal), perhaps my 100th plate of it, the menu item I order there most often….An exquisitely expertly-prepared plate of sushi, a birthday gift from a friend, at Denver’s premier sushi restaurant….Another dinner treat from visiting friends in August at a local artisan restaurant, probably my prettiest food picture of the year.
Summer also brought disillusionment. I watched the Rachel Maddow Show nearly every evening with country or city friends, the stories flowing by, marking the damage this hobbled and flawed democracy brought about by electing the current president and Congress. Then one evening, I was sitting with neighbors in the lobby of my apartment building, not distracted by the slivers of visible sunset, and realizing that there can be no giving up. Maybe it was after 45’s insulting speech at The Boy Scout Jamboree or after his refusal to support more safety measures for football players, saying they would ruin the game. Not the worst he had done, but the gratuitous cruelty and ignorance struck me viscerally. Remembering, I feel again that shiver of fear, then a calmness, a resolve. We simply cannot give up. Elections are coming in 2018. We’re all in this together….
Moments of joy: that’s what my laughter yoga friends call those moments when we look around us, fully present in the beauty that presents itself, perhaps always there if we just bother to notice. Burying my face in a blossoming tree in City Park across the street from me here in Denver; handing out water bottles to exhausted and grateful marathon runners in City Park, probably my most rewarding volunteer experience.
In October, gazing at a sea of student faces at Metro State University. I was on a panel with 5 other women who had worked on Big Mama Rag, a feminist newspaper published in Denver in the 1970s--more than 40 years ago. We were talking to students in the women's studies department, telling them so many important things--about our passion, our mistakes, what we tried to do and what still needs doing. I remember the expression of the transgender youth in the 2nd row who was really listening, as many others listened impassively or took notes; never doubt the importance of the audience's role in a presentation. We hoped they were listening too--not enough time for Q & A before their next class. Afterwards, as we panelists sat around a table in the student center, I remember a relaxed pleasure and pride: remembering this time we shared and our gratitude for being a part of what is now history!
Death made itself visible to me this year, not exactly a next door neighbor, but more like a silent and solemn newcomer who has moved in down the block. In the spring two women died, members of one of my groups (OLOC), one suddenly and one from cancer. Both were honored at one of our monthly meetings in a ceremony led by another member--who herself passed away later in the year from cancer. In early March a former neighbor turned friend—Joanne, age 85—died from complications of cancer and an accident. A day earlier, Gerry Starbuck, my first employer in Denver in 1977, passed away. Later, a good friend from my days in Japan, Kim Oswalt, passed away. Not long afterwards I was telling a neighbor about these deaths. “ It will be more and more like this,” she told me matter-of-factly but not without sympathy. She didn’t need to explain how aging brings knowledge--the sense of one’s own vulnerability accompanied by increasing losses. The image I call up most often is the one below from the Day of the Dead exhibit and celebration at the Denver Botanic Gardens in early November. I paused for several moments before this altar where the artist explained her story and art to a group of children. In the past few years I’ve seen this holiday grow beyond its Mexican roots into a developing North American holiday, with numerous events around town. We need it to recognize the role of death in human life and honor the lives of those no longer with us.
Moments of auditory joy: sitting on the stage of the Grant Park Orchestra in Chicago, listening to a young woman play Bach’s cello suite No. 5 on her viola, the lights of Millennium Park behind her.
The Sound Circle a cappella chorus, singing beneath the stained glass windows of a Boulder church.
This fading year of 2017 will always be the year I discovered song. In September I joined my first flash mob where more than 100 of us sang Holly Near’s "Singing for Our Lives", as we peeled off jackets to the surprise of onlookers at the DCPA. Yet the scene that returns is the short concert we gave on the Mall afterwards, becoming celebrities of the hour to passersby. One solitary older man caught my eye, watching silently and then finally, slowly joining in on a song. World Singing Day came a month later, and I was there, on the Pearl Street Mall in Boulder, where anyone who came by got a lyric booklet with tunes ranging from "Uptown Funk" to "Imagine", and where we sang our hearts out, in one big outdoor karaoke session. Instead of an electronic screen, we had various small choirs lead us, and instead of a room, the sunny, chilly outdoors. In December I was back on the 16th Street Mall in Denver, singing “alternative lyrics” to popular Christmas carols, all aimed at mocking the GOP tax bill, It passed the Senate the following day, unfortunately, but the singing helped sooth and energize. I think we’re on to something as we head into Resistance Year #2.
And then Christmas and the company of friends, and some slow easy days with time for reflection.
“And one man’s year is like the country of a cloud, mapped on the sky, that soon will vanish into the watery, ordered wastes, intro the spinning rule, into the dark which is light.” —Dylan Thomas
